• I’m extremely excited about this show!

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  • 2024 has been an amazing year, so far. Gearpop & Graywave has been enjoyed, shows have been fun (if you’re not enjoying yourself, is it worth doing?) and there is more in store.

    One thing that has made this project work really well is being able to test drive these songs in a live setting. One new song, currently titled “Fundamental”, has been in the admittedly short live set since I started playing in January. I am debuting at least one more next Friday night … maybe you’ll be able to be at Haven Haus to hear it!

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  • Track listing:

    1. New Now
    2. Moneymaker
    3. Annie, Fade to White
    4. Moneymaker, Pt. 2
    5. New Now (Instrumental)

    Featuring guitar work by Zen Skull (Skull Family) and bloodcurdling screams by Instagram makeup artist Carrie J.

    http://jrobot.bandcamp.com/album/gearpop-and-graywave

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  • ·

    ,

    The first EP of original J.Robot material, Gearpop & Graywave is available for pre-order from the Bandcamp site by clicking here. “New Now” features Zen Skull (of Arkansas darkwavers Skull Family) on guitar. Glyph and logo design by Jim Marcus (Go Fight!, Die Warzau)

    NOTE: The artwork shown above was not used for the final release.

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  • Set: intro/repertoire/departure gate/everybody’s obsessed with death/mirror mirror/dreammachine

    Personnel: j.robot, dt, russ

    Notes: first band performance, supporting The Veldt w/Dead Leaf Echo, The Current Situation and Mudshow. the audio interface was broken during rehearsal … replaced with a preamp … lots of issues with the PA in the small room so one mic was used, run direct

    Media: unavailable

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  • I was asked, recently, by longtime friend and collaborator J.D. Reager to create a video for his song “Hammer Mannequin”. The song features on his new album Where Wasn’t I, his third solo offering. Here’s the end result:

    I have dabbled with video previously, but never was too satisfied with the results. Still, I thought it would be fun so I took a shot at it. I was supplied with some green screen footage of J.D. playing the song solo, which I believe Graham Burks (of Loose Opinions fame) shot. From there, I looked through at least a couple hours of video footage I’ve captured over the last few years … the odd time-lapse, cat videos, and lots of textures. Proof that I’ve planned to try my hand at a music video for a while, I guess.

    I asked J.D. about live footage, and he directed me to a YouTube video filmed at B-Side, here in Memphis. I captured footage of the band (J.D. Reager and the Cold-Blooded Three) playing the song, and ran it backwards in the software. Since the song is partly about sports reporter Vince Cellini, he suggested some footage there as well. I captured a couple things that I could throw in very briefly. When that wasn’t enough footage, I shot some things near my workplace – traffic signs, street shots – and J.D. had some street footage from his time in Chicago.

    Fun fact: the Chicago footage was originally to be used in a video for the Blindcopy single “Blacklight” – one of my semi-failed video experiments. It was too good to leave unseen.

    The cats featured in the video are Moose (tuxedo cat) and Larry (orange tabby). I think a general rule should be that cats should always be featured in a music video, regardless of genre or vibe. No exceptions.

    We went back and forth with drafts a couple times, and one last time to clean up a technical issue, and the rest is history: my first foray into video directing, as it were.

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  • ·

    It was necessary. I hope you understand.

    This assumption of a new identity was inevitable. There was nowhere new to go as [redacted], just the same motions and routines, with a glaring light shining on my personal life. Everything broke down, and instead of allowing it to break me I created an opportunity to build a door into the space outside my box.

    I know a lot of this reads in a cryptic, abstract way, and that’s partly by design. Part of creating a new identity is wiping the slate clean. Tabula rasa. It’s a fitting phrase as well as a winking nod to the past.

    I have not decided what to do with all the old recordings. They will continue to exist on the old Bandcamp site, but I may also make them available as a bonus item on the new Bandcamp site.

    I don’t want to look back for very long. I will continue to remix selections from my old catalogue until I have released three EPs’ worth. I will then crowdfund the pressing of a physical release collecting the EPs.

    Concurrently I will begin work on piecing together new ideas, stitching them together to make “songs”. This is the plan.

    Plans get hijacked and changed all the time, though.

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