• I have since put the obnoxious amount of baseball caps away.

    A quarter of the way through 2026 already? Sheesh.

    What have I done with it? Publicly, a couple shows (with a couple new tunes) and a single about a baseball player. Behind the scenes, a few new songs and ideas.

    And overthinking stuff … lots of that.

    I grew up as a creator of music with the idea of earning every ear. Fighting for every music-obsessed listener. Making them worth fighting for. Now it’s algorithm-driven, transactional, and passive. I don’t want it to ever feel like that, for anyone who gives me the honor of listening to my music. I like to think I make music for people who are obsessed with music.

    And in the obscurity, I think there is a lot of creative freedom. I think people who love music value that. I do, as a listener.

    I live in Memphis, Tennessee. I am surrounded by people who are better performers, more creative, better at selling themselves, and do things more people actually want to hear and see. I love them and I love to see them succeed. It’s not a competition.

    I do what I do, and I love it, but it doesn’t lead to the same kind of results that they seem to get. I’ve made my peace with it. All this from the performer of such tunes as “Allergic to Success” and “Moneymaker” – are you surprised?

    If there is another positive to being relatively unknown, it’s that there isn’t a casual anonymous audience to project expectations onto you. Music discourse on social media has a “mob mentality” feel to it nowadays. That’s a heavy thing to be saddled with, the pressure of meeting potentially inflexible standards from people you’re under constant pressure to cater to.

    (IMPORTANT: I’m not referring to the standards that people *should* be held to, like … don’t be an abuser. People should be held accountable, no matter their position or stature within their community. They should be stripped of the power and influence they have, which seems to also come with this fucked up permission to do horrible things, or just be horrible in general. Past tired of all of that.)

    I’m not good at ending phone calls, and I’m not good at ending these posts either.

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  • Should be a good one!

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  • The Halloween single is here! “Where I Belong” was written and originally recorded by my real-life friends Skull Family.

    Listen to my version: https://jrobot.bandcamp.com/track/where-i-belong

    The original: https://skullfamily.bandcamp.com/track/where-i-belong-2

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  • There is now a lyrics page, in case you wondered what I was saying.

    Beep!

    J.

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  • ·

    Sorry for the radio silence – I played hell trying to get access to my page, but here I am and there you are.

    I played two shows last week: 9/6/25 at Java Cabana 901 (here in Memphis) with my pal RussT, and 9/12/25 in Jonesboro at Something Art Cafe (that’s its name) with Skull Family and fellow Memphians The Pop Ritual. Will put the setlists and photographic evidence in the Performances section as soon as I can.

    Contemplating a Halloween single, a remix collection for BLOOM, and other stuff. If you haven’t heard the album yet, head over to Bandcamp and listen!

    Beep!

    J.

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  • I’m extremely excited about this show!

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  • 2024 has been an amazing year, so far. Gearpop & Graywave has been enjoyed, shows have been fun (if you’re not enjoying yourself, is it worth doing?) and there is more in store.

    One thing that has made this project work really well is being able to test drive these songs in a live setting. One new song, currently titled “Fundamental”, has been in the admittedly short live set since I started playing in January. I am debuting at least one more next Friday night … maybe you’ll be able to be at Haven Haus to hear it!

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  • Track listing:

    1. New Now
    2. Moneymaker
    3. Annie, Fade to White
    4. Moneymaker, Pt. 2
    5. New Now (Instrumental)

    Featuring guitar work by Zen Skull (Skull Family) and bloodcurdling screams by Instagram makeup artist Carrie J.

    http://jrobot.bandcamp.com/album/gearpop-and-graywave

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  • ·

    ,

    The first EP of original J.Robot material, Gearpop & Graywave is available for pre-order from the Bandcamp site by clicking here. “New Now” features Zen Skull (of Arkansas darkwavers Skull Family) on guitar. Glyph and logo design by Jim Marcus (Go Fight!, Die Warzau)

    NOTE: The artwork shown above was not used for the final release.

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  • Set: intro/repertoire/departure gate/everybody’s obsessed with death/mirror mirror/dreammachine

    Personnel: j.robot, dt, russ

    Notes: first band performance, supporting The Veldt w/Dead Leaf Echo, The Current Situation and Mudshow. the audio interface was broken during rehearsal … replaced with a preamp … lots of issues with the PA in the small room so one mic was used, run direct

    Media: unavailable

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